Alfonso de Neuvillate

Cristina Ruiz "la painter of amor" she imposes his style and its plastic forms to the most demanding, more obstinate public to accept the truth of the human body and its emotions, feelings, worldly, true, undeniable actions, that simply are.

Cristina Ruiz makes painting at the same time and music. In its territories of elegant sensuality they exist resabios of Debussy and Ravel, Satie and the quick one with fuoco of Mallarmé poet

Only in her sort, in spaces more musical than pictoricos, Cristina Ruiz offers her plagued painting of mythical symbols, as they can be the one of the hope and the subliming. Cristina Ruiz, painter of the light and the dark of the soul, the perversions and the sacralización of the hug and good bye like in goods bye of Beethoven, dot with absolute freedom and absolute conscience from which its work is going to arrive to the center of the sensible being, intelligent. That that she does not try to hide the his most horrifying more beautiful emotions nor, but to find that path of beautiful mysteries.

In its encounter and mix-ups, like in the found paradises of red, or in the desert deserts, or the territories of luminous warnings, the beings who it arranges are spiritual triumphs and glorifications of the being.